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And the first song she recorded was Bairi piya, "I remember I was asked to rehearse the song once before finally recording it. She remembers her first sitting: March 9, 2000. The film was such a hit, yet Sanjay ji was so polite and humble. I could not believe that the director of Hum Dil De Chuke Sanam was on the line, asking for me. Shreya continues, "Sanjay ji tried to trace me. When Bhansali noticed Shreya on the show, he knew immediately that this was the voice he wanted for Paro. The judges, musical duo Kalyanji-Anandji were so impressed with her that Kalyanji took her under his wing and trained her for a year-and-half. Within days, I was called to audition." She sang her way to the children's finals, where she won. I grabbed the opportunity and mailed my songs in a cassette. Shreya, who arrived in Mumbai five years ago after spending her childhood near Kota in the northwest Indian state of Rajasthan, discloses how she bagged the coveted film: " Sa Re Ga Ma, a popular Indian television show at the time, was on the lookout for talented singers. The singer, like the rest of the cast and crew, is obsessed with her debut film - she has even set her mobile phone ring to Bairi piya, her song in Devdas. It is not everyday that a filmmaker like Sanjay Leela Bhansali calls you up and offers you a film. Shreya playbacks for Aishwarya Rai (who plays Paro).Įighteen-year-old Shreya considers herself very lucky.
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What makes Shreya different from the rest of her ilk is the fact that she has bagged the biggest film of the year - Sanjay Leela Bhansali's Devdas, starring Shah Rukh Khan, Madhuri Dixit, Aishwarya Rai and Jackie Shroff. S hreya Ghoshal is a typical college girl. one day we argued heavily, the other day we were sitting and eating together on the set," he : Movies: 'I simply closed my eyes and sang'ġ8-year-old Shreya Ghoshal gives voice to Aishwarya's Paro in Devdas Frankly, while yes he hasn't asked me to give music to his films after 'Devdas', I must add here that our fights have been rather funny. All the three films had very good music but I still rate 'Devdas' and 'Hum Dil De Chuke Sanam' better than them. Post 'Devdas', Bhansali has started making music all by himself. I would love to work with Bhansali again but not at the cost of compromising my creativity. I was just a violinist in his music team and he gave me the privilege of providing music to his two most crucial films in his career. Both of us are strongly creative and opinionated. "Bhansali and I are still good friends and very much in touch. The music director shared that he would love to work with the filmmaker but not at the cost of compromising his creativity.
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Ismail further added that though he never teamed up with Bhansali after Devdas, the two are still in touch. Recommended Read: Ismail Darbar reacts to rumours of son Zaid Darbar marrying Gauahar Khan next month, says 'we are ready for whatever they want' After the line 'Kaise Kahaun' in 'Bairi Piya', quite a few shots are from the new set," Ismail told. Bhansali's booked time duration in Film City ended aur phir unko ko ek new set lagana padha away from Film City to complete the song. I was not ready to change, neither 'Dola Re' nor 'Bairi Piya'. "Bhansali was not happy even with 'Dola Re'. The veteran music personality said that the filmmaker wanted a few changes but he refused to do so.ĭue to their creative differences, the shoot of Bairi Piya got delayed. Talking about the same, Ismail, in an interview with a leading daily, spoke about their disagreement over Dola Re Dola and Bairi Piya. However, after Devdas, Ismail and Sanjay never collaborated and buzz of their tiff made headlines. Be it Dola Re Dola or the romantic number Bairi Piya, the music director weaved magic. Thanks to Ismail Darbar for giving Bollywood melodies that are still fresh in everyone's mind. Sanjay Leela Bhansali's Devdas wasn't just rich in grandeur but music too.